The Ferrante Letters
An Experiment in Collective Criticism
Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together.
In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.
About the authors:
Merve Emre is associate professor of English at the University of Oxford. Her most recent book is The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing (2018).
Sarah Chihaya is assistant professor of English at Princeton University.
Katherine Hill is assistant professor of English at Adelphi University. She is the author of the novels The Violet Hour (2013) and A Short Move (2020).
Jill Richards is assistant professor of English and affiliated faculty in the Women’s, Gender, and Sexuality Studies Program at Yale University. She is the author of The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (2020).
Praise for ‘The Ferrante Letters’:
“If The Ferrante Letters is meant to be an experiment in what would happen if boundaries, forms, and the shape of literary criticism were to dissolve and the opinions of critics blurred into one another, it is one that the authors recognize as both an exciting and frightening possibility.”
“The intimate tone lends a beguiling humanity to the book, inducing a pleasure more often associated with novels: the pleasure of character...The most provocative claim in The Ferrante Letters is that criticism might not only illuminate a text; it might also mimic a work, inhabit its form. This makes for mesmerically reflexive reading, in which the authors, characters in a plot of their own making, gradually become subject to Ferrante’s themes.”
